Details
Reform Luxus - Black Celluloid - Barleycorn
Manufacturer/Model: Reform Germany/Luxus Model No. 70
Year of production: Exact year unknown, estimated mid to late 1930s
Filling system: Piston filling (Original cork replaced with x4 HQ rubber O-rings - silicone greased)
Nib: 14K 585 - F Fine - Super Flex melts on paper, writes up to BB/3B, super wet and consistent; Original Ebonite feed
Material: Cap & Barrel - cast and bored black celluloid. Green Ink Window. Turning Knob & Cap, Grip section Ebonite/Hard Rubber. Piston parts metal. Cast and Gold Filled clip and rings
Length (pen closed): 123mm, Posted: 157mm posed
Condition and information:
Date this pen published & listed: February 13th 2025
This is the 3rd Reform pen/type from the find "Attic Find" to be listed.
The first two being the Reform Luxus Jade Green & the Reform Luxus Blue Chevron
Context & Provenance:
To read more about the circumstances about how and where this pen was found, please visit our blog page here. Article: "June 2nd 2021 - The 80 Year Lost, 300+ Pen Attic Find"
This find was also covered by The Pelikan's Perch in the article: "Treasures In The Attic: A Time Capsule Rediscovered"
Reform Luxus Model No.70
With this Pen listing we are starting to list some of the Black Reform celluloid pens from the Attic Find. There were about 15 or so Reform pens in the Attic Find, some in very minor used condition, some with only some minor traces of ink in them, we assume pens that were only dipped in the shop for testing or maybe even some pens that were brought back for repair, service or tuning as was a "thing" back then. Some of these Reform pens were completely NOS - new old stock condition, meaning it was obvious they were never dipped in ink or used. The corks are clean as on the day they left the factory. So it was a true pleasure to the first people to touch and explore these pens as they were left close to 90 years ago. Most importantly however, is the fact that all Reform pens had their original 14K gold nibs. This was not the case with some other brands, which either had their nibs replaced with steel nibs at that time, or some were missing the nibs entirely due to the fact that they had been salvaged for gold, either then or years later. You can find out more as to why we know that was the case in our Blog Post.
The pen listed here is one of four Luxus model No.70 in an astonishing shiny Black Celluloid with hand made barleycorn finish. These were accompanied by their smaller companions, what were then called Lady Size models, the No. 69, which will be listed in the following days.
The craftsmanship and quality of these pens is simply astonishing, same as described for the Blue and Jade Chevron models, so the same description applies. These even surpass Pelikan and Montblanc craftsmanship and quality in some if not in most respects, as Reform had much to prove as they were the underdogs.
If some thought that Montblanc came up with the Snake head/body Clip, they might want to reassess that belief. Reform made "Snake" clips as early as 1930 with their first models, and by the time the rest were doing it, they even modernized the shape of what we call Gen 2 Snake Clip to a modern multi-faceted design as on this model 70 and the Lady model 69. Simply astonishing as to how far and how good Reform were at this time. Please explore the photos to find out more.
All of the Model 70 and Lady 69 pens had been gently and thoroughly brought back to life, i.e. the "restored" word does not actually feel right, as besides the cork change to rubber O-rings, minor lubrication, there was nothing done on them except cleaning and light polishing. They are basically as they were some 90 odd years ago. We were even tempted to leave the original corks on, as hard may be to believe, their pistons were actually still operating flawlessly, moving smoothly and creating perfect vacuum with their original wood corks!
...
When this pen was made, Reform was what Apple was in the 1980, a rebel company, with bold goals, no compromises, one drive only, making the best pens ever made! Several engineers from the then well established pen companies left to found Reform, (mainly from Kaweco), after their bold ideas and passion wouldn't be heard at "IBM", they left and founded Reform. This was the result.
- Thick shiny black celluloid with barleycorn hand engraved pattern. Transparent vivid green ink window, unmatched body quality, no deformations, very strong build
The cork is at least 2 times longer than any found on pistons at that time. This means a much better seal was made but also meant more resistance while the piston head is moving up & down in the chamber, which means more stress on the turning knob and spiral. This is why we had to place 4 o-rings on the slot to replace the cork, instead of the usual 2 o-rings as we do with Pelikans 100/100N, or Montblancs from this era. - The more stress/force on the spiral and turning knob, means it's probably not a good idea for it to be made by ebonite as it will break, as it was on almost all of the pens from the era. So here we go, Reform made it out of what it seems to us to be a magnesium, zinc or other alloy. However it also seems the spiral was cast and not turned on a lathe, as there are a couple of "witness marks" on both ends of the spiral. It is difficult to imagine that someone could make a precise enough mold to cast a metal spiral in the 1930s.
- This however means a strong connecting part is needed between the turning knob, the piston rod and the barrel - so here again, unlike anyone at the time, this part here is a metal brass as opposed to ebonite.
- The Snake clip is a masterpiece on its own. When others were struggling to make this part, Reform seems to have cast it flawlessly
- Besides Kaweco, probably one of the first to implement a capped turning knob in order to prevent accidental turns and ink leakage.
As strange as it sounds, this pen is a NOS condition as it hasn't been used for 80-90 years since they day it was made. The pen has not been restored, except for the change of cork with o-rings so we can make it fully functional to a super smooth operating and air-tight piston, i.e. it has been only brought back to life, lovingly refreshed, cleaned, serviced and praised and admired along each step. As you can probably tell, we consider these pens works of art, we also see most of what we do on them as work of art, so we like to take our time with each and every pen, even if it takes weeks-months or sometimes even years until we are ready to work on any of them. This was amazing - lifetime privilege for us to be part of this Attic Find.

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